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Journeys through Literary Landscapes:

Taiwan’s Local Stories Go Global

Literature opens windows into a country’s soul.

Through Peter Mayle’s A Year in Provence, we imagine life in the countryside of southeastern France. Digesting Gabriel García Márquez’s One Hundred Years of Solitude, we find ourselves untangling an allegory of Latin American history and social realities. J.K. Rowling’s Harry Potter series conjures up a magical world, but between the lines we catch glimpses of British confidence, eccentricity, and deadpan humor.

 

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2016¦~¡A¥Ñ¬ü°ê­«¶q¯Åªº¤å¾Ç¥Xª©ªÀKnopf¥Xª©ªº¡mºñ®q¡n¡A¬OµØ¸Ç§@®a·¨¤p®R¥H­^»y¼g¦¨¡A¥H¥xÆW¤G¤G¤K¨Æ¥ó¬°°ò©³ªº³Ð§@¡A´y­z¨Æ¥óªº­Æ¦sªÌ¦p¦ó¨«¹L¥Õ¦â®£©Æªº¶Ëµh¡AÂǦ¹±a¥X¥xÆW±q¤éªv¦Ü¤µ¤é°l¨D¦Û¥Ñ»P¥Á¥Dªº±Ã¤ã»P©R¹B¡C¦¹®Ñ¦b¬ü°êªº¥x¸ÇªÀ¸s©M¤å¾ÂÀò±o¦nµû¡A¥þ²y³Ì¤j¥Xª©°Ó¥øÃZÂÅ¿O®Ñ«Î¬Æ¦Ü±N¨ä¿ï¬°One World, One Book ªº¥þ²y±ÀÂˮѡC

Taiwan in the global spotlight

Shawna Yang Ryan is an American writer of Taiwanese heritage. Her widely acclaimed English-language novel Green Island (2016), based on the February 28 Incident of 1947, tells how survivors of the violently suppressed protests dealt with their trauma through the subsequent decades under martial law. By revisiting this cataclysmic period of history, Ryan illuminates Taiwan’s persistent quest for freedom and democracy since the Japanese colonial era. Green Island was selected for Penguin Random House’s One World, One Book program.

2019¦~¥ÑÃè¤å¾Ç¥Xª©ªº¡m°­¦a¤è¡n¬O®È¼w§@®a³¯«ä§»¥H®a¶m¹ü¤Æ¥Ã¹t¬°¥»ªº¤p»¡¡A¥H¦h¤H¦@±Ôªºµ§ªk¡A²OºvºÉ­P¦a³B²z®a±Ú³Ð¶Ë¡B¤pÂí¯µ±K©M®É¥NÏEÂêµ¥¥DÃD¡C¤å¥»¸Ìªº¡u®ð¤f¡v¡]¥x»y¡^¡A©M¨º¥Rº¡³¯«ä§»­Ó¤H­·®æªº»ºµü¥Î¦r¡AÁöµM¤£¦n½Ķ¡A¦ý¬O¥Ñ½Ķ¹L§d©ú¯q¡m½Æ²´¤H¡n¡B¡m³æ¨®¥¢ÅÑ°O¡n¡Aªø¦~¦b¥xÆW¡B­»´ä¥ô±Ðªº¥[®³¤jÄy¥Û©§±[¡]Darryl Sterk¡^¾Þ¤M¡A¤å¦r¤¤ªº¥x¨ý¹D¦a¥BÂæ³Åå³ß¡C

Ghost Town (2019), by German-based Taiwanese writer Kevin Chen, is set in Yongjing, Changhua County, where Chen grew up. Adopting multiple narrative voices, it probes the minutiae of family traumas, small-town secrets, and the shackles of the times. Chen’s narrative style exudes idiosyncrasy at ­every turn and is difficult to reproduce in translation. Canadian translator Darryl Sterk, who also translated Wu Ming-yi’s The Man with the Compound Eyes and The Stolen Bicycle, has preserved the authentically Taiwanese flavor of Chen’s text, forging a literary language full of pleasant surprises.

ª©Åv¸g¬ö¤HÃÓ¥ú½U¥H¡m°­¦a¤è¡nÃþ¤ñ¹q¼v¾Éºt¤j½Ã¡DªL°Ïªº¹qµø¼v¶°¡mÂù®p¡n¡A¦V°ê»Úª©Åv¤H±ÀÂË¡A±Û§Y¤Þ°_°jÅT¡C¦b¬Ì±¡´Á¶¡¡A½Í¦¨¤F°ê»Ú­^¤åª©¡A¬O³¯«ä§»²Ä¤@¥»¥~Ķªº§@«~¡A¥Ñ¸q¤j§Qº[­^°ê¿W¥ß¥Xª©ªÀEuropa Editions¨ú±o¡A¦Ü¤µ§ó°â¥X§Æþ¤å¡BªiÄõ¤å¡B®õ¤å¡BÁú¤å¡B¤é¤å¡B¸q¤j§Q¤å¡B¶V«n¤å¡BªâÄõ¤å¡B¼w¤å¡Bªk¤å¤Î¯Q§JÄõ¤å¦@­p12ºØ»y¤åª©Åv¡C2022¦~µn¤W¬ü°ê¡m¯Ã¬ù®É³ø¡n¬î©u®Ñ³æ¡A¤J¿ï¬ü°ê¡m¹Ï®ÑÀ]Âø»x¡n2022¦~¥@¬É¤å¾Ç¦~«×¤Q¤j¦n®Ñ¡A2023¦~µn¤Wªk°ê¡m¥@¬É³ø¡n¡]Le Monde¡^¤å¾Çµû½×±M¥Z¡A¥´¶}¤F°ê»ÚŪªÌ¹ï¥xÆWªº»{ÃÑ¡C

 Taiwanese literary agent Gray Tan pitched Ghost Town to international rights managers by comparing it to Mark Frost and David Lynch’s TV series Twin Peaks. The book immediately attracted global attention. World English rights were sold during the Covid-19 pandemic, followed by 11 other languages. Successfully bringing Taiwan to the wider world, Chen’s novel was a New York Times Editors’ Choice in January 2023, and was reviewed in Le Monde in September 2023.



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  1. JK?ùµYªº¡m«¢§Qªi¯S¡n¡A¼gªºÁö¬OÅ]ªk¥@¬É¡A«o¦b¦r¸Ì¦æ¶¡¨èµe­^°ê¤H­Ó©Ê¦Û«î¡B¥j©Ç©M§N§Nªº«ÕÀq·P¡C
    K. Rowling’s Harry Potter series conjures up a magical world, but reading between the lines, we catch a glimpse of British confidence, eccentricity, and deadpan humor.

 

  • deadpan ²@µLªí±¡ªº¡F¤£°ÊÁn¦â
    He always keeps a deadpan face when describing their demonic foes.
  1. ·¨¤p®R§@¨¬²`«×ªº¥\½Ò¡A¦r¸Ì¦æ¶¡¶ñ¥R¤F®É¥Nªº²Ó¸`¡A«p´y¥X®É¥Nªº¥xÆW­·´º¡C
    Ryan’s meticulous research has endowed her novel with a fabulously rich texture, showing readers the highways and byways of Taiwanese history.
  • the highways and byways ¤jµó¤p«Ñ
    My father and mother would hunt the highways and byways of Leicestershire for a good pork pie with that particularly rich, crispy crust.

 

  1. ¡u®qÀ¬ªº¬G¨Æ¡A¦]¬°¦Û¥Ñ¡A¦]¬°©b©ñ¡A´N¬O¥þ¥@¬Éªº¬G¨Æ¡C¡v­É¥Î¤F³¯«ä§»Áy®Ñ¤Wªº¦r¥y¡A¦]¬°»¡±o¤Ó¦n¤F¡C
    Chen’s words on his Facebook page could not be more apposite: “The stories of this island—because they are free, and because they are exuberant—are stories that belong to the world.”


    apposite  adj.¾A·íªº¡A¶K¤Áªº
    There is one apposite text which may be worth a closer look.

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